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If I thought
my work was only decorative, I'd give it up. It's a revolution -
it just happens to hang on a wall. I paint to understand and alert
others to the choices, options, and possibilities of making something
special out of not very much. How different would this world be
if we approached it with open eyes and an open heart. Art is Attention
is Love.
I work with a kind of conceptual compost pile in which I
keep lists of ambiguous ideas, words with a certain poetic feel
and concepts that suggest shapes.
Mixed with these lists are piles of postage stamp size images clipped
from magazines, packaging or found as litter. They're small because
cropping makes an image appear larger, more abstract, and more isolated.
There is a point where a cropped image becomes a symbol and looks
like a word. It is from this shifting pile of image-words and word-images
that my art takes its shape and content.
Most of my
work is acrylic on unstretched canvas. I have worked this way since
the 70's because:
1. I can make a painting any shape I want. I'm not limited to rectangles.
2. I can edit as I work - cutting out areas and stitching in new
ones.
3. The finished piece exists as an object on a wall, not as a "window"
into it.
4. Storage, shipping and durability. I use a 1/2 gesso and 1/2 matte
medium primer which makes the paintings very flexible. I store and
ship them rolled up.
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